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The-bad-frame --- The New Yorker cover image of the Obamas
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The Bad Frame: Why Are the New Yorker, Salon and Other Liberal Media Doing the Right's Dirty Work?

by: Don Hazen, AlterNet

 

    This week's New Yorker cover image of the Obamas is shocking in the racism and gross stereotyping that is built into its supposed satire.

    The New Yorker magazine hits the news stands today with a shocking cover - a caricature of Barack and Michelle Obama depicting the presidential candidate in a turban, fist-bumping his wife who has a machine gun slung over her shoulder, while the American flag burns in the fireplace.

    The cover is shocking in that it depicts the Obamas in bizarre caricatured images and associations which reflect the very stereotypes with which the conservatives, particularly Fox News, have been trying to frame both the Obamas. Thus, instead of satire, the cover becomes a political poster for conservatives to reinforce their messages. Senator Obama was shown the cover image by a reporter covering the campaign on Sunday, and while seemingly taken aback, he declined to comment.

    But the Obama campaign quickly put out a release condemning the magazine cover. Bill Burton, a spokesman for Obama, said in a statement: "The New Yorker may think, as one of their staff explained to us, that their cover is a satirical lampoon of the caricature Sen. Obama's right-wing critics have tried to create. But most readers will see it as tasteless and offensive. And we agree."

    Unfortunately the impact of this image will extend far beyond the reading audience of the New Yorker; cable news and the right-wing media noise machine will amplify the derogatory image to millions more. And the New Yorker of course will reap enormous publicity, clearly translating to increased sales and notoriety for the brand, and for corporate owner Conde Nast - one of the largest and most powerful media companies in America.

    But the publicity could very well backfire. Editor David Remnick and artist Barry Blitt's attempt at satire seems so arrogant and indulgent in its insensitive and out of touch with political and media dynamics of tabloid TV and blogs, that it just might make a lot of people angry, including some subscribers. The cover turns the magazine into a potential Molotov cocktail, to be gleefully tossed by Fox News and the conservative blogs, into the already combustible tinderbox of race and muslim stereotypes just below the surface of America's public discourse. (Remnick has since done an interview about his decision to run the cover.)

    John Arovosis at America Blog writes:

A liberal publication like the New Yorker thinks it's funny to make Mrs. Obama some radical black panther, and Barack Obama basically a terrorist (you'll note that he looks just like Osama bin Laden on the wall). And this is funny? Is the New Yorker so out of touch that they don't realize that much of America, or at least too much of America, harbors these very concerns about Obama and his wife?

"This might be a case of the liberal media "that bends over so far backwards to be "fair" that it becomes just as bad as FOX News. I'm sure the New Yorker thinks they're actually poking holes in the myth by making light of the stereotypes. Yeah, and tell us how this pokes fun at the stereotype? It reinforces it. And yet again, you'd never see them try anything like this with John McCain. God forbid you even ask a question about John McCain's experience, the media will destroy you. But paint Obama and his wife as America-hating flag-burning violent terrorists, and it's funny.

    Jake Tapper of ABC News adds:

"Intent factors into these matters, of course, but no Upper East Side liberal - no matter how superior they feel their intellect is - should assume that just because they're mocking such ridiculousness, the illustration won't feed into the same beast in emails and other media. It's a recruitment poster for the right-wing.

"This is as offensive a caricature as any magazine could publish," says a high-profile Obama supporter, "and I suspect that other Obama supporters like me are also thinking about not subscribing to or buying a magazine that trafficks in such trash."

    Lindsay Beyerstein, who blogs at Majikthise makes an important point in emphasizing that:

"Our national discourse is impoverished when it comes to racially-loaded images like the New Yorker cover. When I saw the cover, it was clear to me that the the cartoonist was trying to covey a true and important point: All the Obama myths, like his Muslim father, fit together into a coherent and poisonously racist wingnut caricature. These aren't just random rumors. The anti-Obama mythos is a continuation of the ugly narratives that conservatives have been spinning since the civil-rights movement and before. That said, if you put those images on the cover of a national magazine, you're helping Fox spread those sick memes - whether you intend to or not. It's easy to say "my work means what I mean it to mean, and if you don't get it, that's your problem" - but it's never that simple. If you're approaching an assignment from a position of incredible privilege, say as a cover cartoonist for the New Yorker, you can't just write off the unintended consequences of your expression. If you insist on doing so, maybe that is racist."

    Howard Kurtz of The Washington Post added on Sunday on his CNN media show Reliable Sources that the cover is arguably "incendiary." In the end, it is shocking how the experienced editors of the New Yorker don't have the remotest idea of how framing the Obamas in this way completely reinforces the negative and harbored feelings that they are absurdly trying to satirize. This is satire run amuck, and is a perfect example of how antiquated notions of journalism can play a role in provoking the worst of sterotypes and off-the-wall fantasies.

    Remembering What Happened to Gore and Kerry

    Back in the 2000 presidential campaign, conservative operatives successfully framed the idea that Al Gore was a fabricator (no need to mention the myths because they were untrue and don't warrant repeating). But the stories wouldn't have stuck without corporate media aggressively running with the disinformation about the tall tales, repeating them so often that most people eventually just assumed they were true.

    In 2004, it was John Kerry's turn. He was pegged for a flip-flopper early on - as if no politician ever changed their mind about complex issues - and again, with the media endlessly repeating the charge, it stuck. And to help seal Kerry's fate, he got "swift-boated" with never-proven allegations about his war hero status, and the success of that story planted seeds of doubt in some voters.

    Fast-forward to the present. So far neither the conservatives nor the McCain campaign have been able to negatively frame Obama in a way that has stuck. Hillary Clinton and partner Bill were not ultimately successful either. But that hasn't been for a lack of trying. Charges suggesting Obama is weak on defense, untried under pressure, inexperienced, and even a male chauvinist a la Geraldine Ferraro, haven't succeeded. It may be that Obama is a far more nimble politician than his predecessors, that Gore and Kerry's painful lessons have been well learned by the Obama team, or that the media for whatever reason haven't yet ganged up on Obama as they did in the past. Or probably some combination of all three.

    Thus far the attempt to raise questions about Obama's religion represents the most persistent attempt to create a false narrative about him. So it was pretty shocking recently when I saw "Barack Obama is a Muslim and other stories" as the headline of the lead article on Salon. Maybe Salon is still sweet on Hillary. But one wonders why this headline and message? It does heavy lifting in support of the frames that Obama is a closet Muslim - not a Christian - with a secret agenda. It's the same message that Fox News, right-wing talk radio and conservative pundits have been pushing for months. Questions about Obama are consistently linked to Fox's repetition compulsion connecting Obama with the word "madrassa" which happens to mean school - and are now planted firmly in the media's psychology as school "for terrorists in the making."

    Apparently, Salon was making it easy for you, the reader - just like when you were a kid - to take a cut-out of a stereotypical Muslim and paste it right onto Obama. Even Fox News hasn't been that clever in terms of their efforts to stain Obama with associations to his father and to his name.

    The White House and conservatives have dominated the media and public discourse over the past eight years, achieving remarkable success in winning much of their agenda, despite significant majorities opposing their ideas, as measured in opinion polls.

    Conservatives have accomplished their hegemony, in part by effectively using and repeating simple, powerful language, and having it persistently echoed in the corporate media - and even in progressive and independent media. No doubt, their biggest success has been creating the dominating frame, the "war on terror." They've successfully transformed the criminal acts of a small group of freakishly successful hijackers into a perpetual war which has become the fundamental message of Bushism, since 9/11. The "war on terror" provided the context for the hugely unpopular occupation of Iraq, the diminishing of civil liberties, and the establishment of a vast new domestic security apparatus. The media repeated the frame of the "war on terror" as though it were an inevitable response, a factual truth, and not a political frame that ideologues constantly pushed to justify an enormous shifting of priorities in the U.S. and around the globe.

    Conservatives understand the power of a "frame," which linguistically is a conceptual structure used in thinking - and in reality is how we come to think of images, ideas and viable narratives associated with words and phrases.

    There are many dozens of conservative frames and phrases with which we are familiar. We often don't notice how they creep into our own consciousness and get repeated by us: Democrats want to "cut and run" in Iraq; "Partial birth abortion" in reproductive rights; gay marriage will "destroy the family"; "the death tax," etc.

    None of these frames would be successful without the generous and repeated help of the corporate media, which have perpetuated the myth of John McCain as a "maverick," with his "straight talk express," despite the fact except for a few exceptions, his record is very conservative, and he has changed his position incessantly, as this video from Brave New films and the recent article by Steve Benen, "John McCain - 61 Flip-Flops and Counting," clearly document.

    This framing-language success by the conservatives is pretty well known. But even that awareness doesn't stop us from often integrating conservative talking points into our own language, becoming language carriers ourselves. Now of course, The New Yorker might say about their cover or Salon might say about their headline - "oh our readers are too smart," or "we were being ironic," or "provocative to prove a point." But the fact of the matter is that many more people will see that headline and register in their brains than will read the story alone.

    Elements of a Frame

    There are some basic rules about frames that editors and writers might want to think about, if they are interested in avoiding persistently reinforcing conservative language and ideas. The fundamentals include: every word is a frame; evoking a frame reinforces and strengthens that frame; negating a frame, i.e. attacking it, reinforces that frame; and finally, words defined within a frame evoke the frame.

    OK, maybe that sounds a little like gobbledy gook - what does this all mean? In his New York Times best-seller "Don't Think of an Elephant" (disclosure: I wrote the introduction to the book and was a strong advocate for the title), George Lakoff basically boils it down to, "When I tell you: don't think of an elephant, you can't help think of it." (The most famous version of this concept, is Richard Nixon insisting, "I am not a crook.") So the word elephant is a frame - i.e. it conjures up an image of an animal with a trunk. If you repeat the word - "I love elephants," or want to dismiss it: "I never want to think of an elephant again," you strengthen the elephant frame. And when you say for example, "Sam picked up the peanut with his trunk," you immediately know that Sam is an elephant: words defined in a frame, invoke the frame.

    So yes, I learned these basic concepts from George Lakoff, who had a period prior to the last presidential election when he was very influential among Democrats. He spoke to senators when they went on retreat, and he was championed by heavy hitters like George Soros. But like many "flavors of the month," he lost some of his cache. He was replaced in 2006 by Drew Westen, a psychologist whose focus on the role of emotion in "determining the political life of the nation" is the new hot thinking that Democrats and liberals have more recently embraced.

    Lakoff and Westen both have their critics, as does any newish thinking that goes against conventional wisdom and many decades of habits. And some suggest they may take some leaps from the research to make their case, although they would vigorously debate that assertion. But the point is that Lakoff and Westen have important things to teach us that are fundamental to politics and communication, and their work is very compatible.

    It is not necessary to agree with all of their research, assertions and speculation to appreciate the basic points of their thinking. But if one is interested in going deeper, Lakoff's new book is "The Political Mind," not to be confused with the well-received book by Westen: "The Political Brain."

    Getting back to the New Yorker and Salon, it's not my intention to pick on them alone - although the Obama headline and image were pretty blatant. My objective is point out that often progressive and independent media - perhaps because we imagine that our readers are different than normal people - frequently undermine progressive messages, or more likely reinforce conservative messages.

    I believe that the words and images editors and writers use to frame their stories is what most people will take away from the articles, especially since many people get their news from just glancing at the front page and cover story. Headlines, subject lines and teasers are the most powerful and visible communication tools to connect immediately with readers. With journalism on the web, a split-second medium, some readers spend only brief moments on sites or on articles, merely glancing at headlines and teasers.

    The lead, or opening graph of the story is also important, but a lead is only as good as its opening headline. If the lead graph never gets read because the headline or teaser doesn't effectively communicate, some great journalism and information can be wasted.

    A recent morning I saw this headline on a story ready to run on AlterNet titled, '"Dykes, Whores or Bitches': One in Three Military Women Experience Sexual Abuse." And this article was from a feminist organization. It was not helping the cause. We changed it to:"Misogyny is Rampant in the Military; One in Three Military Women Experience Sexual Abuse." Another recent headline was cued up: "Limbaugh Wins Big in Elections." Was that true? And if so, why were we announcing it? A simple tweak: "Limbaugh Wins As Biggest Manipulator in Elections."

    A few weeks ago, on one day, I read in rapid-fire order, the following headlines on the Huffington Post: "Bush Compares Obama To Nazi Appeasers." "McCain Crosses New Line: Obama Unfit to Protect The Country." "Progressive Media Group Ditches Ad Effort To Appease Obama." In each case the language connects Obama with a negative - being an appeaser, needing to be appeased, being unfit for office. These headlines are doing the conservatives' work for them.

    What is interesting is Bush never mentioned Obama's name in that speech in Israel, cited in the first headline. But the Huff Po frame was essentially the same headline with which editors across the world fell into lockstep. Those conservative framers are tricky and very happy to see Obama's name spread around the world connected to the word appeaser. They didn't even have to make the direct charge. But the media was all to willing to do the work for the Bush machine. The alternative headline AlterNet used: "In Israel, Bush Lays Down Some Serious Fear-Mongering."

    One recent frame in an article AlterNet was considering was "Right Wing Sets its Sights on Oprah Religious 'Cult.'" This frame was produced by a progressive religious site. It gives away the power of the headline to the right wing, enabling them to frame Oprah as a cult. A cult? Scientology is a cult; the fundamentalist Mormons in Texas are a cult. Oprah is a highly successful TV entertainer, who weaves a kind of spirituality lite for her huge audiences, which seems generally positive, and hardly qualifies as a cult. After seeking the article, thinking that the headline would be controversial and attract a lot of readers, we realized the error of our ways and decided not to post it.

    One essential point is that drawing attention to negative frames and reprehensible media figures, even in an attempt to answer them, can have the effect of reinforcing them. It is almost always better to frame one's own positive message and not mention the bad frame or framer.

    Many right-wing personalities court controversy because it sells books, and raised ratings, and keeps them in the public eye. To achieve the visibility, they often say outlandish things, and the media, including progressives leap to highlight or answer the ridiculous notions. Often the best tactics is to simply ignore those hungry for attention, and not succumb to the urge to always respond, and repeat their frame. There is one infamous familiar female media figure who could use some neglect. In 2006, I wrote an article entitled: "The Tall Blond Woman in Short Skirt and Big Mouth" or TBWSSBMI. I pleaded with everyone to ignore this person. I trust it is easy to figure out who she is. The article got more than 150,000 views, and hopefully more people started ignoring here. But who knows? Even my effort reinforced the frame, since the mere mention of her characteristics, just as in the case with the trunk and the peanut mentioned earlier, put the image of her in people's minds. So mum is the word.

    As the presidential campaign moves forward, there will be many attempts by each campaign to define the candidates with a phrase or an image, that will link to a story that could be believed by significant numbers of voters, and plant seeds of doubt. For example it's been reported that some number of voters - 10% or more - already think Obama is a Muslim, a notion that presumably would affect voters when they went into the polls. At this point in his campaign, 10% more or less, is a manageable number.

    It may be that after trying so hard, and meeting resistance, from advocates like Brave New Films, and the "quick on its feet" Obama campaign, that the Rupert Murdoch-Fox News-Wall Street Journal-Limbaugh right-wing echo chamber may have lost some of its clout. They may not be able to increase the number of Americans who think Obama's a muslim to anything close to a tipping point. Or it may be that Obama, with his message of hope, his ability to communicate effectively, or even his controversy about the church he has attended for decades, may have innoculated him from having this piece of fiction become fact in people's minds. 

    Don Hazen is the executive editor of AlterNet.

Comments

I'm not sure why some of you

I'm not sure why some of you smart progressives don't get that the image is satire (as the great preponderance of New Yorker covers are), though I think the flag burning in the fireplace might be a tipoff. Also, Barry Blitt's style is instantly recognizable, and all of his covers have been political satire. Maybe it makes you uncomfortable, but it's also damn funny. I'm as convinced of the logic of Lakoff's frames as anyone, but I'm not so sure it applies in this case since the ludicrous combination of all the lies dramatically subverts them. And sometimes frames don't work. I'm thinking of the brilliant Nation cover of Bush as Alfred with a "worry" button. Funny, pointed, on-frame - and, as far as I can see, there's little evidence that it slowed Bush one bit.

Sadly, most of my ignorant

Sadly, most of my ignorant relatives believe Obama was raised as a Muslim and won't vote for him because of it.  My sister won't vote for him because of his middle name.  She thinks he's a "Muslim-in-waiting" and going to help take over the US after he's elected.  My PhD. step dad won't vote for him because he watches Fox News and believes whatever they say about Obama, even though it's complete fabrication.   Then, along comes a cover on a national magazine that feeds the BS image they already have of him.  Thanks, New Yorker, for helping spread the racist ignorance I've been struggling with in my family!  You've just reinforced their idiotic beliefs! How about some balance with a cover of John McCain riding a nukeelur warhead like Dr. Strangelove, or one of him flipping off his first family as he rides off into the sunset with a wealthy woman half his age?  Or maybe one of him in the POW camp telling the enemy all they wanted to know?  Oh wait, those are all true caricatures.  Okay, how about one with the black "love-child" he had from an affair with a 14-yr-old sex slave?  Yes, the last one is some sick BS, but so is the image of Obama. And hey, if Obama really was a Muslim, wouldn't his wife be wearing a burka instead of Black Panther gear?  

Apparently not enough of the

Apparently not enough of the folks who've reacted to this spoof have enough sophistication to see it for what is is. Consider the source. And if we keep cutting back on funding for education, we'll see more and more of this kind of stupidity with each new generation, to the point the New Yorker (and all other intelligent publications) will have utterly lost their readership.

Justify it all he wants,

Justify it all he wants, there is nothing redeeming about that cover. It's time for the editor to find a new line of work.

Ugliness and hatred

Ugliness and hatred masquerading as a legitimate

It saddens me to see the

It saddens me to see the hysterical reaction of so many liberal thinking people to . . . a cartoon? Whether it is in poor taste is arguable, but the reaction to it of fear, rage and a complete loss of a sense of humor gives me great cause for concern. When you lose your ability to laugh, you lose your power to think straight. As far as adding fuel to the fire in the minds of bigoted, right wing conservatives, well, they are going to think like that anyway. I have never known a cartoon, or any other joke, to change anyone's mind. Are liberals so scared that they would drop the First Amendment and start censoring anything they don't like? That's what the right wing Republicans do! For the sake of our freedom of thought and expression, let's control our fears and get a little perspective.

The New Yorker is counting

The New Yorker is counting on the increasing illiteracy of it's viewers to receive the true message of it's libelous images. Just another brick falling out of our self destroying establishment.

It's not satire if all you

It's not satire if all you do is repeat what the other guy says, word for word. It's satire if you change the other guy's message---you take the teeth out of it, but you leave the ridiculous bits exposed for everybody to see. What the New Yorker has done isn't called satire; it's called "free publicity."

This cover will not change

This cover will not change any voters mind. Do you think anyone who was going to vote for Obama will look at this cover and say I have changed my mind I do not like Obama any more? Obama supporters have heard all the false rumors and will still vote for him. The people who are ignorant were going to vote for John McCain anyway. They have no mind to change. The controversy this cover has created will be good for Obama because it focuses on falsehoods.

Why doesn't America grow up

Why doesn't America grow up and get a life? Instead of celebrating its freedom of speech, we have a fit over the fact that someone managed to say something that created a public reaction. The news is for adults, and for children who plan to become adults. No others need pay any attention to it (and they don't). All this noise is about whether the manipulators of public opinion are playing fair. We Americans have never played fair in that arena, and I hope we never do. That's what freedom of speech means: no holds barred.

What's wrong with the

What's wrong with the cartoon is that is it a false and malicious publication printed for the purpose of defaming a living person - libel. Unless the visual/symbolic allegations can be proven, what we have are lies. I don't understand the motivations, except in the context perhaps that there are sour grapes with Hillary's loss and I couple this with possible fear that Obama may not protect Israeli interests as Hillary was sure to do. I believe the editors, may be so twisted on this matter that they may have actually thought that they were being funny, when in fact they were expressing a veiled hatred or fear. I cannot otherwise begin to understand why a magazine dedicated to the truth, as I have known The New Yorker to be, could stoop so low. But, I can see this effort in light of the influence of the Israeli Lobby, for example, where I am under the impression that in an effort to protect Israel, America has not been neutral. We must protect the interests of the Palestinians, as well, in an effort to work for peace no matter that it may be impossible. The cartoon reminds me of the tact by Bush and his henchmen, where we attack those first who might attack us, hence The New Yorker, a liberal magazine displaying the tact of what the Conservatives may/may not do, hence the perceived brilliance of nipping this issue in the bud. But, this fails just as a conservative rendition (pun intended) would, because unless you have a criminal or unless you tell the truth, you still have a lie. Such lawlessness is against what this country stands for. But, more importantly, the truth is what comes to the fore. You know how it is when someone insults you and unless their insult is based in fact, and not mere projection of some jealousy, the insult goes over with a thud. This is what we have here. There is something telling about those who would choose to insult Obama in this manner, no matter if it was done to head off/illustrate the expectation of something like it. For it uses the same weapon, and a gun in the hands of a good person doesn't make a good killing.

A good satire should

A good satire should instantly show you what it is poking at, what is is ridiculing. This one does not. It is just bad craft. A pity for the profession.

It's a brilliant move. The

It's a brilliant move. The controversy has to be harnessed and used to expose the lying liars on the right who have used the press to smear Obama and Democrats for years. Hasn't The Daily Show and Colbert taught you f'ing liberals anything? No go out there and keep yelling about it so that people will have to confront the smears. You'll also be able to instantly identify the 'smearer believers' who think it's a serious cartoon. Don't waste anytime on them. They still think Bush has done a good job. http://www.youtube.com/MidnightChimes

Handwringing, indeed! How

Handwringing, indeed! How many people with no perspective, sense of the absurd, sense of humor, whose ramrods of political correctness have slipped from their spine to their ass does it take to get hysterical over a simple piece of meta-satire? OF COURSE it will be used by Fox and the rightest right-wingers, but it will backfire on them, too. But that's the nature of satire: take it too seriously or at face value only and, no matter what your political or racial hue, you look very silly.

I was shocked when I heard

I was shocked when I heard this cover described on the radio. However, the election is still far out. This treatment of Obama now opens it up for McCain. Unless they hire professional actors, I can't imagine anyone coming up with enthusiasm at the Republican convention. The people who support McCain support him because they don't know his history. The Republicans with passion are excluded from the convention. If Mother Jones, or a libertarian magazine, say, did an outrageous cover on McCain, with dancing skeletons from his past, well, I'd like to see that happen...

The image on the cover is so

The image on the cover is so over the top that it is obvious snark. Fox News fans may not understand snark but they don't read the New Yorker. The stereotypes are out there, that is the whole point. Ignoring them out of misguided sensitivity won't make them go away. Magnifying them to the point of ridiculousness may just do the trick. A terrorist fist bump of support to the New Yorker for lighting this fire!

A tempest in a teapot. The

A tempest in a teapot. The only people in the country who will take it seriously are the right-wing loonies who have always taken every pronunciamento of the Republican hate machine as revealed wisdom. New Yorker's cover isn't going to change anyone's mind about Obama. In a more sensible world than present day US political thought, Obama's team would already be working on a hilarious response (Put Gary Trudeau on it) to hold nutters like the Swift Boat gang up to well-deserved ridicule. Taking the bastards seriously is just playing into their hands.

I am deeply saddened that so

I am deeply saddened that so many people seem unable to appreciate satire. Placing all of the insane smears against Obama in one image is clearly an attempt to mock those smears. Anyone seeing the cartoon will appreciate that. I can only hope that FOX tries to make an issue of this because it will put the cartoon in front of more people. I think Obama is making a mistake by not seeing the humor in this. He comes off as cold and authoritarian. If he had shown an attitude of amusement, it would further establish to the public that those smears beneath contempt. Instead he has chose to legitimize them as an issue against him.

While this criticism offers

While this criticism offers salient ideas & is clearly well-intended, between the liens it conceals an even deadlier truth: the critical danger of a populace so poorly educated that it cannot recognize irony, but is bound to a pinhead literalism. The New Yorker's reputation is sufficiently sound that critics should ask themselves why they are missing the point. If we ever doubted that Bushland was in deadly peril, doubt no longer.

as a strong obama supporter

as a strong obama supporter and contributor, i nevertheless disagree with all the hand-wringing about this cartoon. we have apparently reached the stage in america where people are so raw with pain that they not only cannot laugh at themselves, they cannot even, really, laugh at their foes. i do not believe that anyone - anyone - who supports obama will be put off by this new yorker cover. first, it is too obvious, and second, even those who don't get the point will not be moved either for or against obama by what is presented here. those who think obama is a muslim and his wife is a terrorist will perhaps be confirmed in their beliefs, but what of that - they weren't going to change anyway. those who support obama will be either offended,and thus confirmed in their support, or confirmed in their sense that obama is being mocked by the media, which he definitely is, as is his wife. in either case, there is no harm done to the candidacy. lighten up, folks.

When I first read about the

When I first read about the New Yorker cover, I was willing to give the satirist the benefit of the doubt. Now that I've seen the cover, I cannot do so. There is nothing in the picture to indicate that this is satire. The illustrator should have shown John McCain in the corner, dreaming this scene as a bubble coming out of his head -- or something to that effect -- if this cover were to be seen as a satire. As it stands, the cover simply continues the fear-mongering of Bush, Fox, and other Republican outlets.

I can see that some who

I can see that some who "read" the article (spell that s-k-i-m-m-e-d) didn't have any understanding at all about how the Ultra-Right will be able to use this to reinforce the stereotypes among their audience. You think Rush Limbaugh's listeners are going to see it as satire? Here's what I'll be doing... sending an email to the New Yorker to register my feelings, and to let them know I'll be emailing every advertiser to let them know I'll be boycotting their products, and encouraging others to do so, until the publicly denounce the cover and stop advertising in the New Yorker. If enough people do this, it will have an effect. After all, it's about the Bottom Line, isn't it?

Love Obama, love the New

Love Obama, love the New Yorker, love the cover. Hurray for freedom of speech.

Well, with Georgie Bush in

Well, with Georgie Bush in the white house, gas prices thru the roof, banks going bust, and illegal wars looming ever on the horizon, why not do something crazy or insane to further inflame Americans to be divided and catch afire! Wouldn't surprise me if more of us started to self-destruct. We certainly are on a fast track to hell, and this prestigious magazine reflect just the kind of sickness which has made this nation a racist hateful one throughout its short history! I pity the New Yorker magazine and their staff! They have chosen to go down the same road as people like Enron's Ken Lay and Mr. Karl Christian Rove!

I love this cover. It

I love this cover. It reflects the absurd ignorance of some fearful Americans. I wish they would portray Obama as 1/2 white. For the most part, racists just don't know what to do with Obama. Overlaying this hilariously absurd neocon "projection" on top of two intelligent and outstanding Americans is a laugh riot. The more ignorant racists are picturing a stereotyped "niggah" in the White House and what that would mean in a day to day existence. All the sicko projections are oozing out of the woodwork. The White House lost its respected stature during the Bill and Monica days. I want to see a cartoon of a furious, pant suited Hillary with an ax taking out "that" closet in the oval office.

Strong supporter of Obama

Strong supporter of Obama from the very beginning and the New Yorker cover today , is appalling! What were they thinking? It is naive of them to think people will see it as satire. The majority of people will unfortunately be reinforced in believing the stereotypes of the Obama's and it is going to be the greatest tool to have given the Republicans. They can just keep it alive during the whole campaign. I am sick with disgust at what the New Yorker has done!

Toonyloony, you're an idiot.

Toonyloony, you're an idiot. Quirky and clever is one thing, but if The New yorker were so clever it could see the blatant malice in this cover. Because the cover has no reference of being satire versus cartoon of reality, it can easily be taken as actual cartoon of reality. Truly disgusting.

What a lot of useless

What a lot of useless handwringing. When you put all those false innuendoes and misunderstandings in one genius magazine cover, you amplify them to the point of ridicule. I predict this will be seen as the satirical masterstroke it really is. Even Americans will understand its target. Perhaps the supposed Lakoff take-over of Democratic thinking is part of the reason for their ineffectiveness for the last 7-1/2 years.

It just goes to show that

It just goes to show that even intellectual "elites" have assholes. Thanks for nothing, editor David Remnick and cartoonist Barry Blitt.

Two years ago, after many

Two years ago, after many years of faithfully reading, mostly with pleasure, The New Yorker, I canceled my subscription because I had become fed up with the quality of their cartoons and the overwhelming glitzy/glossy ads. I was acting then with unconscious foresight. But what an opportunity I missed to cancel my subscription on the basis of this recent cover cartoon, as vicious and nasty as anything I have ever seen.

I love the quirky and

I love the quirky and sophisticated New Yorker cartoons, even if I don't always understand them. Picking up an issue and flipping through it is perfect when you're waiting for an appt. I think this one might have been better inside the cover rather than on it, but the caricatures are so cute I can understand why they wanted it on the cover. Of course there is no need for a caption, but what immediately comes to mind is the mindless and cartoony commentary one is treated to by the likes of Fox "news" and C"N"N, and several others. Hoohoo.
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